It was developed in the region of Quilombo dos Palmares, located in the Brazilian state of Alagoas. Capoeira has been a great influence on the Afro-Brazilian generations especially in the states of Bahia, Pernambuco and Rio de Janeiro. Participants form a circle, and take turns either playing musical instruments (such as the berimbau, pandeiro and Atabaque drum), singing, or sparring in pairs in the center of the circle. The sparring is marked by fluid acrobatic play, feints, and extensive use of sweeps, kicks, and headbutts. Less frequently used techniques include elbow strikes, slaps, punches, and body throws.
Its origins and purpose are a matter of debate, with theories ranging from views of Capoeira as a uniquely Brazilian folk dance with improvised fighting movements to claims that it is a battle-ready fighting form directly descended from ancient African techniques.
Historians are divided between those who believe capoeira is a direct descendant of West African fighting styles and those who believe it is a uniquely Brazilian dance form distilled from various African and Brazilian influences. One popular explanation holds that it is an African fighting style that was developed in Brazil, as expressed by a proponent named Salvano, who said, “Capoeira cannot exist without black men but its birthplace is Brazil”.
In Portuguese capoeira literally means “chicken coop”
so it is likely that the name originated as a derisive term used by slave owners to refer to the displays as chicken fights. Another claim is that the word “Capoeira” is derived from the native-american language Tupi-Guarani words kaá (“leaf”, “plant”) and puéra (past aspect marker), meaning “formerly a forest”.